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In Animating SwiftUI Applications, you'll reap the power of SwiftUI and its declarative programming language to create stunning animations with minimal code. You'll start by uncovering the fundamentals of SwiftUI and animation, before diving into a number of projects designed for you to advance your understanding and practice these skills.

Computer animation. --- Swift UI (Electronic resource)

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White pelican --- Fish tagging --- Cui-ui --- Cui-ui --- Food --- Marking --- Effect of predation on

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This Glossary is designed as a companion to William Langland's dream vision poem, Piers Plowman, widely regarded as the greatest literary work in Middle English before Chaucer. It glosses and explains over 5000 English words, and foreign words used as if English, in the A, B and C texts of Piers Plowman printed in the critically-acclaimed Athlone editions. Where possible, it illustrates words with examples from all three versions.The first glossary to Piers Plowman was compiled in 1886 by Sir William Skeat but there has been no attempt, until now, to provide a new glossary that takes account o

Langland, William, --- Langland, Robert, --- Langland, Uĭli︠a︡m, --- Language

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Gezondheid --- Gezondheidsopvoeding --- Groente --- Knoflook --- Ui --- Spruiten --- Witloof --- Jeugdpoëzie --- Jeugdpoëzie

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Chamberlin's focal point for this synthesis is the concept of ambiguity, which has played an important role in the liberal arts tradition and in medieval discourses regarding reading and preaching - discourses that are fundamental to Langland's poetic ways with words. His work takes its place among other recent attempts to retrieve medieval literary theory, making it possible for it to inform the reading of medieval literature, but places this theory within a particularly wide context. Chamberlin claims that the excess of meaning ambiguity gives language is at least as important to the understanding of Piers Plowman and other medieval texts as is allegory. He deals with lexical ambiguity and the ambiguity of words-as-words - in which words themselves are taken as objects - offering linguistic, philosophical, and historical perspectives on these subjects. How ambiguity works in Langland's poetry is explained in close analysis of a number of passages from the poem. Chamberlin's overview of the historical development of the concept of ambiguity pays special attention to the doctrines of Augustine and the twelfth-century masters. He elucidates these by reference to similar ideas from Romantic and twentieth-century theorists, providing a coherent view of language that stands as an alternative to structuralist and post-structuralist views.

Ambiguity in literature. --- Poetics --- History --- Aesthetics, Medieval. --- Langland, William, --- Aesthetics. --- Medieval aesthetics --- Langland, Robert, --- Langland, Uĭli︠a︡m,